Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Recitativo ed epitaffio, in memoria di G.B. Pergolesi
Wladimir Vogel |
PART04447
|
1958 | |
Concertino in Sol n.1, per 4 Violini, alto, cello e basso cont. Revisione
Giovanni Battista Pergolesi |
PART07522
full score |
14/4/1960 | |
Concertino in Mib Magg., per Archi
Giovanni Battista Pergolesi |
PART07524
full score |
||
Stabat Mater, a due voci
Giovanni Battista Pergolesi |
PART07254
full score |
||
"Quoniam tu solus sanctus", dal "Gloria" della Messa in fa M. a dieci voci
Giovanni Battista Pergolesi |
PART07339
arrangement/reduction |
||
Chi disse cà la femmena, dall'opera "Lo frate 'nnamorato"
Giovanni Battista Pergolesi |
PART07868
arrangement/reduction |
||
Babaka, calypso
Gilles Sala , Max Miquel , Wladimir Vogel |
PART07707
full score |
||
12 Sonate , per 2 vl. e b. num. di G. Battista Pergolesi ridotte per vl. e pf. da A. Longo
Giovanni Battista Pergolesi |
PART03120
arrangement/reduction |
||
Intermezzo dalla Cantata "Euridice" , Elab. per vc. e pf.
Giovanni Battista Pergolesi |
PART03121
arrangement/reduction |
||
Non mi negar, signora
Giovanni Battista Pergolesi |
PART03122
full score |