Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Giulietta e Romeo
Nicola Antonio Zingarelli |
PART04553
full score |
||
Molta paura e nessun male
Ignazio Girace |
PART02061
full score |
1809 | |
Perfetto ricambio, Un
Ignazio Girace |
PART02062
full score |
||
Pandolfo e Baloardo
Ferdinando Orlandi |
PART02958
full score |
||
Amico dell’uomo, L'
Ferdinando Orlandi |
PART02961
full score |
||
Sonnambula, La
Ferdinando Paër |
PART02997
full score |
||
Abitator del bosco, L’
Stefano Pavesi |
PART03062
full score |
||
Amor vero e amor interessato
Stefano Pavesi |
PART03064
full score |
||
Incognito, L’
Stefano Pavesi |
PART03073
full score |
||
Inganno felice, L’
Gioachino Antonio Rossini |
PART03658
full score |