Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Conte di San Ronano, Il , (ossia Satana Conte di San Ronano)
Nicola De Giosa |
PART01231
full score |
12/6/1878 | |
Don Checco
Nicola De Giosa |
PART01232
full score |
||
Napoli di Carnovale
Nicola De Giosa |
PART01233
full score |
21/6/1878 | |
Arrivo del signor zio, L'
Nicola De Giosa |
PART01234
full score |
||
Ascanio il gioielliere
Nicola De Giosa |
PART01235
|
4/1847 | |
Silvia
Nicola De Giosa |
PART01236
full score |
||
Silvia
Nicola De Giosa |
PART01237
full score |
||
Silvia
Nicola De Giosa |
PART01238
arrangement/reduction |
||
Geloso e la sua vedova, Un
Nicola De Giosa |
PART01239
full score |