Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Macigno, Il
Victor de Sabata |
PART05095
|
5/7/1919 | |
Atlántida
Manuel de Falla |
PART05180
full score |
||
Aivlys, per pianoforte
Lorenzo Ferrero |
PART05198
|
1979 | |
Aria novella, per doppio quartetto
Luca Francesconi |
PART05289
full score |
2001 | |
Klarinettenbaum, (da Saga) 1 clarinettista solista (cl.picc.mib,cl in sib), 2 cni di bassetto, 3 cl.b,perc.e live elec.(vers.sempl.:cl solo,perc.nastro magn.,live elec.)
Fabio Nieder |
PART05926
|
1990 | |
Piano e forte, per 4 esecutori e nastro magnetico
Giuseppe Marotta |
PART05936
|
||
Voix humaine, La
Francis Poulenc |
PART06112
|
6/1958 | |
Conchita , Intermezzo
Riccardo Zandonai |
PART04498
full score |
||
Notte a Siviglia , impressione sinfonica per orch. e voce di t.
Riccardo Zandonai |
PART04499
|
||
Giulietta e Romeo, Danza del torchio e cavalcata
Riccardo Zandonai |
PART04503
full score |
11/1927 |