Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mironton Mirontaine, fantasia per pf a 4 mani su temi popolari francesi
Matteo D'Amico |
PART05044
|
||
Monologo di un fauno, per voce recitante e panoforte
Matteo D'Amico |
PART05045
|
||
Sonnets et rondels, Versione "Palermo" | Nuova versione riveduta
Matteo D'Amico |
PART05063
|
1993 | |
Ku, per 14 esecutori
Fausto Romitelli |
PART06188
full score |
9/1989 | |
Partita, Una, con correzioni autografe di R. Zandonai
Riccardo Zandonai |
PART04485
full score |
||
Giulietta e Romeo, Danza del torchio e cavalcata
Riccardo Zandonai |
PART04503
full score |
11/1927 | |
Giulietta e Romeo , Tragedia in tre atti
Riccardo Zandonai |
PART04540
arrangement/reduction |
9/11/1921 | |
Rappresaglia, La
Joseph Hartmann Stuntz |
PART03936
full score |
1819 | |
New York, oficina y denuncia, per coro e orch.
Flavio Testi |
PART03987
arrangement/reduction |
||
Sonata (II), per violino e pianoforte
Alceo Toni |
PART04025
full score |
1911 |