Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Orden
Girolamo Arrigo |
PART04617
other |
||
Frammenti [Quando stanno morendo. Diario polacco n.2]
Luigi Nono |
PART07841
other |
||
Correzioni Musicali
Michele Eulambio |
PART07858
other |
1961 | |
Commento tecnico estetico, sulle fughe di Bach per violino solo
Renzo Sabatini |
PART07683
other |
9/1939 | |
Girotondo dei fanciulli
Ezio Carabella |
PART03101
other |
1931 | |
Sei corali per organo
Johann Sebastian Bach |
PART00997
other |
1/1931 | |
Come qualcosa palpita nel fondo…, per violino e nastro magnetico
Armando Gentilucci |
PART01965
other |
1973 | |
Trattato di teoria
Ottorino Gentilucci |
PART01972
other |
10/1941 | |
Atlántida
Manuel de Falla |
PART01229
other |