Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Senza il suo bene la tortorella, dall'opera "Tolomeo re d'Egitto"
Nicola Antonio Giacinto Porpora |
PART07865
arrangement/reduction |
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Sperare non osa, dall'opera "Cesare in Egitto"
Niccolò Piccinni |
PART07866
arrangement/reduction |
||
Voglio ognor che mon Marj, dall'opera "Il Duello"
Giovanni Paisiello |
PART07867
arrangement/reduction |
||
Chi disse cà la femmena, dall'opera "Lo frate 'nnamorato"
Giovanni Battista Pergolesi |
PART07868
arrangement/reduction |
||
Cedi oh Dio, dall'opera "Ifigenia in Aulide"
Niccolò Jommelli |
PART07869
arrangement/reduction |
||
Fantasmi amorosi, dall'opera "La Stellidaura vendicata"
Francesco Provenzale |
PART07673
arrangement/reduction |