Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Le temps d’un rêve!, Mélodie
Francesco Paolo Tosti |
PART04224
full score |
9/1910 | |
Visione!, Melodia
Francesco Paolo Tosti |
PART04239
full score |
6/11/1880 | |
Invano!, (serenata)
Francesco Paolo Tosti |
PART04257
full score |
9/1898 | |
M’amasti mai?, Melodia (per c. e pf.)
Marino Mancinelli |
PART02393
full score |
||
Épousée, L' , Mélodie pour chant et piano (in mi bem., s. o t.)
Giulio Ricordi |
PART00487
full score |
||
Épousée, L'
Giulio Ricordi |
PART00488
full score |
||
Pourquoi rire?, Melodie pour chant et piano (s. o t.)
Giulio Ricordi |
PART00509
full score |
||
Pourquoi rire?
Giulio Ricordi |
PART00510
full score |
||
T’allicuorde, Melodia
Luigi Denza |
PART01501
full score |