Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Due poesie di L. Stecchetti, per una voce con acc. di pf.
Giovanni Sgambati |
PART03897
full score |
20/8/1877 | |
2° Album vocale
Giovanni Sgambati |
PART03899
full score |
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Felicità, La, Canzone
Francesco Sinico |
PART03902
full score |
||
Ritorno, Il, Romance
Francesco Sinico |
PART03905
full score |
||
Guarda che bianca luna , Nocturne à deux voix
Francesco Sinico |
PART03906
full score |
||
Praeludium et fuga in la minore , per pf. di G. Tagliapietra (dall’org.)
Johann Sebastian Bach |
PART03939
full score |
25/12/1935 | |
Jubilus I, op.30
Flavio Testi |
PART03964
full score |
1974 | |
Opus 21, per orchestra
Flavio Testi |
PART03975
full score |
1971 | |
Musica da concerto n. 6, per viola e orchestra da camera
Flavio Testi |
PART03976
full score |
1970 | |
Congedo
Pier Adolfo Tirindelli |
PART03994
full score |