Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Canto elegiaco , per coro maschile
Vittore Veneziani |
PART04357
full score |
||
Coro dei cori, Il
Vittore Veneziani |
PART04358
full score |
30/6/1931 | |
Rispetto e canzonetta
Antonio Veretti |
PART04393
full score |
1927 | |
Sonetto di Dante Alighieri , per c. con acc. di pf., op. 22
Hans Guido Freiherr von Bülow |
PART04451
full score |
20/5/1874 | |
Vere novo, Poemetto sinf. per orch. e una voce di bar.
Riccardo Zandonai |
PART04513
full score |
5/6/1912 | |
For V.W., (secondo quaderno)
Paolo Aralla |
PART04586
full score |
7/12/1992 | |
Due poesie di L. Stecchetti, per una voce con acc. di pf.
Giovanni Sgambati |
PART03897
full score |
20/8/1877 | |
Dolore, Il, 3 madrigali
Flavio Testi |
PART03985
full score |
1963 | |
Joie mêlée aux larmes, La
Pier Adolfo Tirindelli |
PART03989
full score |
12/9/1910 | |
Ancòra
Pier Adolfo Tirindelli |
PART03993
full score |