Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Una croce!, Melodia
Niccolò van Westerhout |
PART04338
full score |
||
Ovunque tu, Melodia
Niccolò van Westerhout |
PART04344
full score |
1884 | |
I Galitt! , Canzoncina in dialetto milanese
Vittorio Maria Vanzo |
PART04348
full score |
||
Iddio Signore
Ruggero Venè |
PART04353
full score |
||
Attesa vana, L'
Ruggero Venè |
PART04355
full score |
30/10/1932 | |
Canto elegiaco , per coro maschile
Vittore Veneziani |
PART04357
full score |
||
Coro dei cori, Il
Vittore Veneziani |
PART04358
full score |
30/6/1931 | |
Tre canti, musicati per una voce e orch.
Antonio Veretti |
PART04389
|
3/1930 | |
Rispetto e canzonetta
Antonio Veretti |
PART04393
full score |
1927 | |
Due Letture, per coro misto a 8 parti e strumenti
Roman Vlad |
PART04442
|
15/7/1976 |