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Our privacy policyAlmost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Moi, Antonin Artaud, per s. legg., lettore e orch.
Giacomo Manzoni |
PART02442
|
1997 | |
O Europa!, per soprano e orchestra.
Giacomo Manzoni |
PART02448
full score |
1999 | |
Pensiero XX di Giacomo Leopardi, per lettore, quartetto d'archi e pianoforte
Giacomo Manzoni |
PART02453
full score |
2001 | |
Poesie dell'assenza, per voce recitante maschile e orch.da camera.
Giacomo Manzoni |
PART02458
full score |
1990 | |
Quattro versi di Marina Cvetaeva, per soprano e violino
Giacomo Manzoni |
PART02461
full score |
29/7/1990 | |
Convegno degli spiriti, Cantata per soli e cori con acc. d’orch.
Alfredo Marchiò |
PART02484
arrangement/reduction |
||
Fosse morta!...
Angelo Mariani |
PART02490
full score |
10/2/1871 | |
Cinque liriche
Ottorino Respighi |
PART03497
full score |
||
Bella dormente nel bosco, La, Fiaba musicale in tre atti
Ottorino Respighi |
PART03501
arrangement/reduction |
||
Marchesina, La
Federico Ricci |
PART03529
full score |
13/5/1863 |