Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Resta, Romanza
Niccolò van Westerhout |
PART04326
full score |
||
Amore!..., tempo di valzer
Francesco Paolo Tosti |
PART04042
full score |
7/10/1878 | |
Ave Maria, Piccola melodia
Francesco Paolo Tosti |
PART04053
full score |
7/11/1887 | |
Marina
Francesco Paolo Tosti |
PART04112
|
10/1885 | |
Plenilunio
Francesco Paolo Tosti |
PART04172
full score |
||
Non t’amo più!
Francesco Paolo Tosti , César Auguste Jean Guillaume Hubert Franck , Wolfgang Amadeus Mozart |
PART04182
full score |
1884 | |
Vieni..., Piccola barcarola
Francesco Paolo Tosti |
PART04238
full score |
1887 | |
4 Melodie per canto, Ninon, Visione, Ideale, Chanson de l'adieu
Francesco Paolo Tosti |
PART06443
full score |
5/1/1986 | |
È notte! , (per c. e pf. e vl. obbl. ad libitum)
Augusto Rotoli |
PART03698
full score |
||
Mattino
Augusto Rotoli |
PART03703
full score |