Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Saluto al duce , per coro all’unisono e rid. per pf.
Antonio Veretti |
PART04387
arrangement/reduction |
||
Belfiore e Bellaspina, Fiaba mimica per bambini.
Mario Vitali |
PART04410
arrangement/reduction |
||
Celestina, La, Opera in 3 atti
Flavio Testi |
PART03983
arrangement/reduction |
||
Lords' masque, The
Niccolò Castiglioni |
PART04899
arrangement/reduction |
||
Aumento, L', riduzione per canto e pianoforte
Luciano Chailly |
PART04924
arrangement/reduction |
31/12/1995 | |
Inno di Mameli, (Il canto degli Italiani) Strumentazione per Media Banda di Alamiro Giampieri
Michele Novaro |
PART07504
arrangement/reduction |
26/5/1945 | |
Alda - Frammento, Leggenda lirica
Leopoldo Cassone |
PART06898
arrangement/reduction |
||
Bella dormente nel bosco, La
Ottorino Respighi |
PART06914
arrangement/reduction |
||
Alba, cantata per soli, coro e orch.
Alessandro Sbordoni |
PART06214
arrangement/reduction |
||
Memoria perduta, La, opera in due atti
Flavio Emilio Scogna |
PART06297
arrangement/reduction |
1993 |