Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Répitu, per Coro e Orchestra. Versi di Carlo Muscetta
Azio Corghi |
PART04998
full score |
21/7/1997 | |
Rinaldo & C., da Rinaldo di George Friedrich Handel
Azio Corghi |
PART04999
full score |
1996 | |
…Sotto l'ombra che il bambino solleva, per voce recit./cantante e orch., dal poema "L'anno mille993"
Azio Corghi |
PART05004
full score |
27/3/1999 | |
Sobre Los Angeles, per ms, recorders, vl e perc.
Luca Cori |
PART05011
full score |
23/5/1990 | |
Finché passero non sono, per soprano e flauto
Matteo D'Amico |
PART05031
full score |
||
Jeux des masques, per soprano, clav, orch
Matteo D'Amico |
PART05037
full score |
1985 | |
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |
||
Spiriti dell'aria, Gli, ovvero Il sogno di Pulcinella
Matteo D'Amico |
PART05064
full score |
||
Parole da volponi
Fabrizio Fanticini |
PART05186
full score |
11/9/1989 | |
Frammenti da Saffo
Maurizio Ferrari |
PART05193
full score |
11/8/1985 |