Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Baumszene, per 8 voci e orch.
Fabio Nieder |
PART05901
full score |
||
Entra!, (risposta a la “Serenata d’un angelo”)
Francesco Paolo Tosti |
PART04077
full score |
9/1891 | |
5 Brevi variazioni, per ott.,cl.b.
Rocco Abate |
PART05715
full score |
6/1984 | |
Missa XXVI, in honorem Sanctae Mariae Mazzarello
P. Andrés Rosa |
PART07527
full score |
4/1951 | |
Madama Butterfly
Giacomo Puccini |
PART00079
full score |
16/3/1904 | |
Linee di forza
Dario Maggi |
PART06756
full score |
12/1985 | |
Notturno
Emilia Gubitosi |
PART02101
full score |
25/5/1940 | |
Giovanni Gallurese
Italo Montemezzi |
PART02775
full score |
||
Amore dei tre re, L’
Italo Montemezzi |
PART02777
full score |
||
Sofonisba
Ferdinando Paër |
PART02996
full score |
1805 |