Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mascherata veneziana
Matteo D'Amico |
PART05042
arrangement/reduction |
||
Salve Regina, per tenore e orch.
Gaetano Donizetti |
PART05136
full score |
||
Nottetempo
Sylvano Bussotti |
PART05172
|
||
Concerto, per pf. e orch.
Lorenzo Ferrero |
PART05208
arrangement/reduction |
1990 | |
Lords' masque, The
Niccolò Castiglioni |
PART04899
arrangement/reduction |
||
Ouverture
Vittorio Gnecchi |
PART05498
arrangement/reduction |
||
Wintermarchen, opéra en quatre actes
Philippe Boesmans |
PART04738
arrangement/reduction |
1997 | |
Gran duo concertante, per orchestra
Giovanni Bottesini |
PART04772
arrangement/reduction |
||
Parole al buio, Le, …quasi un Singspiel in 1 atto
Paolo Furlani |
PART05336
full score |
||
Belle Polesane, La, Valzer van Franz Lehàr Op. 24
Franz Lehár |
PART07404
full score |
4/1935 |