Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Quatre fantaisies brillantes sur les motifs de l’opera Rolla de M.T. Mabellini, composées pour le pf. seul ou à 4 mains, op. 637 n. 1, 2, 3, 4
Carl Czerny |
PART01145
full score |
||
Gran Duo, per violoncello e pianoforte (da Beethoven)
Sylvano Bussotti |
PART00633
full score |
1/1978 | |
Così parlò Baldassarre
Niccolò Castiglioni |
PART00809
full score |
1/1/1981 | |
Autori antichi - comp. scelte per pf., Serie III (vol.IX dell'ed. a stampa)
Beniamino Cesi |
PART00922
full score |
||
Autori antichi - comp. scelte per pf., Serie IV (vol.VII dell'ed.a stampa)
Beniamino Cesi |
PART00923
full score |
||
Syro Sadun Settimino
Sylvano Bussotti |
PART00576
|
9/9/1973 |