Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Assedio di Firenze, L'
Giovanni Bottesini |
PART00387
full score |
12/6/1861 | |
Diavolo della notte, Il
Giovanni Bottesini |
PART00388
full score |
22/10/1858 | |
Ero e Leandro
Giovanni Bottesini |
PART00389
full score |
3/12/1879 | |
Ad Ischia, rimembranza (per ms. )
Giovanni Bottesini |
PART00390
full score |
||
Nostra canzone, La
Giovanni Bottesini |
PART00391
full score |
||
Ne quittons pas notre foret, o anche, La Foret (per c. e pf.)
Giovanni Bottesini |
PART00392
full score |
||
Sempre nell’estasi d’amor gradita, (romanza per soprano con acc. di pianoforte)
Giovanni Bottesini |
PART00393
full score |
6/12/1844 | |
Passato, Il , Duettino per Mezzosoprano e tenore
Giovanni Bottesini |
PART00394
full score |
||
Povera mamma!
Giovanni Bottesini |
PART00395
full score |
||
Sognai , Melodia per ms. (e pf.)
Giovanni Bottesini |
PART00396
full score |