Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Attende Domine, per s. e archi
Matteo D'Amico |
PART05021
full score |
||
Divertimento II, per 7 (o 5) struemnti a fiato
Matteo D'Amico |
PART05026
full score |
||
E di me ricordati
Matteo D'Amico |
PART05027
full score |
||
Feste, 2ªsuite da Mascherata veneziana balletto sui temi di B. Galuppi
Matteo D'Amico |
PART05030
full score |
1999 | |
Grave, per cl,c.basso,v.cello
Matteo D'Amico |
PART05034
full score |
||
Jubilate Deo, per soprano e orch.d'archi
Matteo D'Amico |
PART05039
full score |
1997 | |
Mascherata veneziana, Belletto in due atti su temi di Baldassarre Galuppi
Matteo D'Amico |
PART05040
full score |
||
Mascherata veneziana, Suite dal balletto su temi di B. Galuppi
Matteo D'Amico |
PART05041
full score |
1998 | |
Memoires '93
Matteo D'Amico |
PART05043
full score |
||
Monologo di un fauno, per voce recitante e panoforte
Matteo D'Amico |
PART05045
|