Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Angelus novus, cantata scenica in 7 quadri, per 2 s., voce recitante e piccola orch.
Matteo D'Amico |
PART05018
full score |
1992 | |
Aretusa, per oboe, corno, archi e percussioni
Matteo D'Amico |
PART05020
|
||
Bonne cuisine, La
Leonard Bernstein |
PART05023
|
||
Dal filo di Arianna, per pf. e 11 esecutori
Matteo D'Amico |
PART05025
full score |
1986 | |
E di me ricordati
Matteo D'Amico |
PART05027
full score |
||
Finché passero non sono, per soprano e flauto
Matteo D'Amico |
PART05031
full score |
||
In tre, per cl,v.cello e pf.
Matteo D'Amico |
PART05035
full score |
1998 | |
Invenzione a due
Matteo D'Amico |
PART05036
full score |
||
Jeux des masques, per soprano, clav, orch
Matteo D'Amico |
PART05037
full score |
1985 | |
Jubilate Deo, per s. e quartetto d'archi
Matteo D'Amico |
PART05038
full score |