Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Canto d’amore
Niccolò van Westerhout |
PART04321
full score |
5/1897 | |
Canzonetta
Niccolò van Westerhout |
PART04322
full score |
1888 | |
Capriccio
Niccolò van Westerhout |
PART04323
full score |
17/10/1895 | |
Album en miniature
Niccolò van Westerhout |
PART04324
full score |
1887 | |
Polacca
Niccolò van Westerhout |
PART04325
full score |
1887 | |
Resta, Romanza
Niccolò van Westerhout |
PART04326
full score |
||
Rimembranze pugliesi
Niccolò van Westerhout |
PART04327
full score |
||
Romanza
Niccolò van Westerhout |
PART04328
full score |
1883 | |
Rondò
Niccolò van Westerhout |
PART04329
full score |
1884 | |
Sempre amore! , Melodia
Niccolò van Westerhout |
PART04330
full score |