Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
I Sonata facile, op. 41 n. 1
Giuseppe Martucci |
PART02639
full score |
7/8/1878 | |
Souvenir de Milan, Nocturne par piano, op. 25
Giuseppe Martucci |
PART02640
full score |
12/5/1875 | |
Souvenir de Paris , Morceau pour piano, op. 37
Giuseppe Martucci |
PART02641
full score |
20/4/1878 | |
Studio caratteristico, op. 54
Giuseppe Martucci |
PART02642
full score |
11/11/1880 | |
Studio di concerto, op. 9
Giuseppe Martucci |
PART02643
full score |
||
Tarantella, op. 6
Giuseppe Martucci |
PART02644
full score |
||
IV Barcarola , per pf., op. 44 n. 4 - Da: “Momenti d’ozio”
Giuseppe Martucci |
PART02645
full score |
11/6/1880 | |
Tarantella, op. 44 n. 6 - Da: “Momenti d’ozio”
Giuseppe Martucci |
PART02646
full score |
5/8/1880 | |
Tema con variazioni, op. 58
Giuseppe Martucci |
PART02647
full score |
1/5/1882 | |
Tempo di Gavotta, op. 55 n. 2
Giuseppe Martucci |
PART02648
full score |
2/2/1888 |