Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Bella addormentata, La
Alberto Gasco |
PART01939
full score and parts |
1929 | |
Canto elegiaco, per vl. (sulla IV corda) e pf.
Alberto Gasco |
PART01940
full score and parts |
||
Quintetto n. 1
Giorgio Federico Ghedini |
PART01977
full score and parts |
3/1910 | |
Tre invenzioni , per 6 strumenti
Bruno Bettinelli |
PART00323
full score and parts |
1/1951 | |
Sonata, per violoncello e pianoforte
Bruno Bettinelli |
PART00328
full score and parts |
1951 | |
Quasi “perpetuum mobile”
Isaia Billé |
PART00338
full score and parts |
||
Desir, Le
Joop De Leeuwe |
PART01253
full score and parts |
||
Czardas
Joop De Leeuwe |
PART01274
full score and parts |
25/7/1923 | |
Nozze di Messina, Le
Francesco Chiaromonte |
PART00955
full score and parts |
1850 |