Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pianto di monaca, Melodia
Francesco Paolo Tosti |
PART04168
full score |
10/1890 | |
Non m’aspettare
Francesco Paolo Tosti |
PART04169
full score |
||
Due piccoli notturni
Francesco Paolo Tosti |
PART04170
full score |
9/1911 | |
Pierrot’s lament
Francesco Paolo Tosti |
PART04171
full score |
5/1903 | |
Plenilunio
Francesco Paolo Tosti |
PART04172
full score |
||
Pour un baiser!, Petite Mèlodie
Francesco Paolo Tosti |
PART04173
full score |
12/1904 | |
Povera mamma!, Melodia
Francesco Paolo Tosti |
PART04174
full score |
||
Povera Maria!... , Elegia pop. abruzzese in la min.
Francesco Paolo Tosti |
PART04175
full score |
||
Povera Maria!...
Francesco Paolo Tosti |
PART04176
full score |
||
Povera Maria!...
Francesco Paolo Tosti |
PART04177
full score |