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Our privacy policyAlmost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Finché passero non sono, per soprano e flauto
Matteo D'Amico |
PART05031
full score |
||
Jeux des masques, per soprano, clav, orch
Matteo D'Amico |
PART05037
full score |
1985 | |
Monologo di un fauno, per voce recitante e panoforte
Matteo D'Amico |
PART05045
|
||
Realtà, La, per voce recit.,gruppo strum.
Matteo D'Amico |
PART05054
full score and parts |
||
Rime d'amore, per ms, coro femm, orch.
Matteo D'Amico |
PART05057
|
1998 | |
Rime notturne
Matteo D'Amico |
PART05058
|
||
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |
||
Sanctus, per s., ms, t., b., orch
Matteo D'Amico |
PART05060
arrangement/reduction |
||
Sonnets et rondels, 2ªvers."lunga", per baritono e orchestra
Matteo D'Amico |
PART05062
|
||
Sonnets et rondels, Versione "Palermo" | Nuova versione riveduta
Matteo D'Amico |
PART05063
|
1993 |