Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Guarda che bianca luna , Nocturne à deux voix
Francesco Sinico |
PART03906
full score |
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Bianca da Cervia
Antonio Smareglia |
PART03913
full score |
||
Preziosa
Antonio Smareglia |
PART03914
full score |
||
Coppa d’oro, La
Alfredo Soffredini |
PART03916
full score |
1899 | |
Diable à quatre, Le
Jean-Pierre Solié |
PART03920
|
||
Eloy, cantata per voce masch.su nastro e 4 esec.
Luciano Chailly |
PART04926
full score |
4/1979 | |
Psicosi
Luciano Chailly |
PART04930
full score |
6/11/1980 | |
Recitativo e allegro, per violino e pf.
Luciano Chailly |
PART04932
full score and parts |
1987 | |
Recitativo e ostinato, per 2 tr,2 trb,corno (2ªvers.89)
Luciano Chailly |
PART04933
parts |
30/7/1989 | |
Strutture
Luciano Chailly |
PART04934
full score |
12/5/1975 |