Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Blimunda
Azio Corghi |
PART04967
arrangement/reduction |
||
Ouverture
Vittorio Gnecchi |
PART05498
arrangement/reduction |
||
Doktor Faustus
Giacomo Manzoni |
PART05811
|
1988 | |
Wintermarchen, opéra en quatre actes
Philippe Boesmans |
PART04738
arrangement/reduction |
1997 | |
Gran duo concertante, per orchestra
Giovanni Bottesini |
PART04772
arrangement/reduction |
||
Parole al buio, Le, …quasi un Singspiel in 1 atto
Paolo Furlani |
PART05336
full score |
||
Belle Polesane, La, Valzer van Franz Lehàr Op. 24
Franz Lehár |
PART07404
full score |
4/1935 | |
Concerto Grosso, in Re minore, Op. 3 n° 11
Antonio Vivaldi |
PART07426
arrangement/reduction |
||
Inno di Mameli, (Il canto degli Italiani) Strumentazione per Media Banda di Alamiro Giampieri
Michele Novaro |
PART07504
arrangement/reduction |
26/5/1945 | |
Concerto per clarinetto in Si b e pf. (K622), dal concerto in La per cl e orch. - libera trascrizione di A. Giampieri
Wolfgang Amadeus Mozart |
PART07213
|
8/1954 |