Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Belle ciarle e tristi fatti
Giovanni Simone Mayr |
PART02683
full score |
||
Cinna
Bonifazio Asioli |
PART00147
full score |
||
Begli usi di città
Carlo Coccia |
PART01012
full score |
||
Marcotondo, Il
Pietro Generali |
PART01954
full score |
1815 | |
Secchia rapita, La
Francesco Bianchi |
PART00331
full score |
||
Impostore, L
František Josef Benedikt Dussek |
PART01735
full score |