Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Orfanella di Ginevra, L'
Luigi Ricci |
PART03540
full score |
||
Fernando Cortez
Luigi Ricci |
PART03546
full score |
||
Casa disabitata, La , II versione col titolo “I falsi monetari”
Lauro Rossi |
PART03644
full score |
1843 | |
Casa disabitata, La
Lauro Rossi |
PART03646
full score |
||
Arie di Sinforosa “Quando il cor batte...”, Da: I Falsi monetari (La casa disabitata)
Lauro Rossi |
PART03650
full score |
1880 | |
Figlia di Figaro, La
Lauro Rossi |
PART03651
full score |
1847 | |
Nina pazza per amore , (col tit. La Nina)
Pietro Antonio Coppola |
PART01026
|
||
Festa della rosa, La
Pietro Antonio Coppola |
PART01028
full score |
1836 | |
Sonnambulo, Il
Giuseppe Gerli , Edoardo Bauer |
PART01974
full score |
1839 | |
Furioso all’isola di San Domingo, Il
Gaetano Donizetti |
PART01703
|
1832 |