Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Invenzione a due
Matteo D'Amico |
PART05036
full score |
||
Jeux des masques, per soprano, clav, orch
Matteo D'Amico |
PART05037
full score |
1985 | |
Jubilate Deo, per s. e quartetto d'archi
Matteo D'Amico |
PART05038
full score |
||
Jubilate Deo, per soprano e orch.d'archi
Matteo D'Amico |
PART05039
full score |
1997 | |
Mascherata veneziana, Belletto in due atti su temi di Baldassarre Galuppi
Matteo D'Amico |
PART05040
full score |
||
Mascherata veneziana, Suite dal balletto su temi di B. Galuppi
Matteo D'Amico |
PART05041
full score |
1998 | |
Mascherata veneziana
Matteo D'Amico |
PART05042
arrangement/reduction |
||
Memoires '93
Matteo D'Amico |
PART05043
full score |
||
Moto perpetuo, per orch.d'archi
Matteo D'Amico |
PART05046
full score |
8/4/1991 | |
Mysterium
Matteo D'Amico |
PART05047
full score |