Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Datime a piena mano...
Giorgio Federico Ghedini |
PART02018
full score |
3/11/1935 | |
“... Fu primavera allora...”, piccola cantata per voci e pf. (dalle Georgiche nella traduzione di Salvatore Quasimodo)
Giorgio Federico Ghedini |
PART02019
full score |
2/1954 | |
Concentus Basiliensis, per vl. e orch. da cam.
Giorgio Federico Ghedini |
PART02020
arrangement/reduction |
25/8/1954 | |
Pulce d’oro, La
Giorgio Federico Ghedini |
PART02021
arrangement/reduction |
25/8/1939 | |
Baccanti, Le
Giorgio Federico Ghedini |
PART02022
arrangement/reduction |
||
Baccanti, Le
Giorgio Federico Ghedini |
PART02024
full score |
1944 | |
Concentus Basiliensis, per vl. e orch. da cam.
Giorgio Federico Ghedini |
PART02025
full score |
25/8/1954 | |
"Fantasia", per pf. e strumenti a corde
Giorgio Federico Ghedini |
PART02027
full score |
26/1/1958 | |
Incoronazione di Poppea, L'
Claudio Monteverdi |
PART02790
full score |
11/1952 | |
Incoronazione di Poppea, L'
Claudio Monteverdi |
PART02791
arrangement/reduction |
11/1952 |