Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Biancaneve, Impressioni di una fiaba per orch.
Riccardo Zandonai |
PART04515
|
||
Per La gazza ladra, Canto aggiunto per il t.
Riccardo Zandonai |
PART04516
|
18/1/1943 | |
Cavalieri di Ekebù, I, Varianti per la vers. con t.svedese
Riccardo Zandonai |
PART04517
|
||
Alla patria , Inno pop. per coro e orch.
Riccardo Zandonai |
PART04518
|
||
Ariette , Poésie de P. Verlaine
Riccardo Zandonai |
PART04519
|
23/2/1912 | |
Ave, o Maria, Preghiera per voci femminili, archi e arpa
Riccardo Zandonai |
PART04520
|
5/1911 | |
Coucher de soleil à Kérazur
Riccardo Zandonai |
PART04521
|
26/2/1912 | |
Esulta, Trento! , Canto patriottico
Riccardo Zandonai |
PART04522
|
30/11/1918 | |
Serenata medioevale
Riccardo Zandonai |
PART04523
|
11/1909 | |
Soror dolorosa
Riccardo Zandonai |
PART04524
|
21/2/1912 |