Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Ti rivedrò, Abandon
Francesco Paolo Tosti |
PART04227
|
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Ultima canzone, L'
Francesco Paolo Tosti |
PART04235
|
||
Concerto per violino in Mi b magg.
Antonio Vivaldi |
PART07423
arrangement/reduction |
||
Gran metodo teorico-pratico progressivo, per cornetta a cilindri e congeneri
Domenico Gatti |
PART07436
didactic method |
||
Valzer, Revisione di Felice Fugazza
Guido Farina |
PART07437
full score |
||
Sull'Aia e Madrilena, per 2 e 3 chitarre
Luigi Oreste Anzaghi |
PART07486
full score and parts |
||
Madama Butterfly
Giacomo Puccini |
PART07493
|
||
Inno dei Figli della Lupa
Nazareno Padellaro |
PART07498
full score |
||
Missa XXVI, in honorem Sanctae Mariae Mazzarello
P. Andrés Rosa |
PART07527
full score |
4/1951 | |
Don Panfilo, canto humoristico a 3 voces
P. Andrés Rosa |
PART07528
full score |
4/9/1949 |