Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Tre sonate a quattro, per archi e basso continuo
Giovanni Legrenzi |
PART07506
full score |
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Concerto VI, in mi maggiore per due violini concertanti, archi e cembalo di ripieno
Alessandro Scarlatti |
PART07508
full score |
1957 | |
Concerto per cembalo, fatto per S.A.I. la Gran Duchessa di tutte le Russie (inedito)
Giovanni Paisiello |
PART07510
full score |
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1° Sinfonia, op. 18 (44), revisione di Renato Fasano
Muzio Clementi |
PART07512
full score |
||
Eroe cinese, L'
Baldassarre Galuppi |
PART07513
full score |
||
V Sinfonia a quattro, (1732)
Tommaso Giovanni Albinoni |
PART07514
full score |
||
10° Concerto, per violino principale, archi e cembalo
Tommaso Giovanni Albinoni |
PART07515
full score |
||
Concerto a cinque in fa, Revisione di Maffeo Zanon (dall'edizine originale del 1708)
Benedetto Marcello |
PART07516
full score |
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Concerto n. 3, per cembalo e archi
Tommaso Giordani |
PART07517
full score |
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Concerto per archi in Si bem. maggiore, op. 11 n 3 (c. 1720)
Francesco Antonio Bonporti |
PART07518
full score |