Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
O notte
Alberto Peyretti |
PART06080
full score |
||
Ora che sale il giorno
Alberto Peyretti |
PART06081
full score |
||
Umbra, (Elegia fantastica di un istante) per 2 voci e 9 struemtni
Maurizio Pisati |
PART06104
full score |
1988 | |
Campanule, Le
Paolo Renosto |
PART06139
|
1981 | |
Aretusa, poemetto lirico
Ottorino Respighi |
PART06153
parts |
||
Resta, Romanza
Niccolò van Westerhout |
PART04326
full score |
||
Sempre amore! , Melodia
Niccolò van Westerhout |
PART04330
full score |
||
Serenata, La
Niccolò van Westerhout |
PART04331
full score |
1883 | |
Aprile novo!, Melodia
Niccolò van Westerhout |
PART04334
full score |
1885 | |
Sola!..., Melodia
Niccolò van Westerhout |
PART04335
full score |
20/10/1885 |