Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Turandot , Schizzi per la riduzione per canto e piano del duetto finale
Franco Alfano |
PART03422
arrangement/reduction |
||
Tre corali di Bach, (dai “Choravorspiele” per organo) Interpretazione orchestrale
Ottorino Respighi |
PART03486
full score |
10/1930 | |
Concerto per archi (e org. ad libitum) , da una sonata di Giuseppe Tartini
Gian Francesco Malipiero |
PART02365
full score |
||
Serenata , da Alessandro Stradella
Gian Francesco Malipiero |
PART02367
full score |
||
Sinfonie e ritornelli, dall'Orfeo di Claudio Monteverdi
Gian Francesco Malipiero |
PART02368
full score |
||
Toccate, da G. Frescobaldi
Gian Francesco Malipiero |
PART02369
full score |
||
Toccata e fuga in Re minore, elaborazione per flauto solo di Salvatore Sciarrino
|
PART00164
full score |
||
Cadenza, per arpa sola (I tempo) al Concerto per arpa e fl. e orch. in do magg. k. 299 di W.A. Mozart
Mario Barbieri |
PART00181
full score |
16/2/1941 | |
Quatre fantaisies brillantes sur les motifs de l’opera Rolla de M.T. Mabellini, composées pour le pf. seul ou à 4 mains, op. 637 n. 1, 2, 3, 4
Carl Czerny |
PART01145
full score |
||
Gran Duo, per violoncello e pianoforte (da Beethoven)
Sylvano Bussotti |
PART00633
full score |
1/1978 |