Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03146
parts |
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Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03147
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03148
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03149
parts |
||
Bisbetica domata, La, Notturno per grande orch.
Mario Persico |
PART03176
parts |
||
Molinarella, La , Frammenti della realizzazione del b.c. A cura di V.Fedeli
Niccolò Piccinni |
PART03230
parts |
||
Amore e psiche, Opera in un atto. Parte vocale
Salvatore Sciarrino |
PART03791
parts |
||
Cinematografì-cinematografà, per pf. con parole
E.A. Mario |
PART02544
parts |
||
Concerto storico , per arpa e orchestra
Mario Barbieri |
PART00182
parts |
18/7/1942 | |
Et s'il revenait un jour…?
Pietro Clausetti |
PART00995
parts |
1920 |