Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Gattopardo, Il, atto II
Angelo Musco |
PART02848
arrangement/reduction |
||
Assassinio nella cattedrale , Rid. per c. e pf. di I. Delle Cese
Ildebrando Pizzetti |
PART03302
arrangement/reduction |
||
Fra Gherardo
Ildebrando Pizzetti |
PART03310
arrangement/reduction |
11/9/1927 | |
Oro, L'
Ildebrando Pizzetti |
PART03312
arrangement/reduction |
||
Altaîr
Ennio Porrino |
PART03354
arrangement/reduction |
5/8/1939 | |
Turandot , Rid. orch., facilitazioni vocali, semplificazioni corali di Giuseppe Bamboschek
Giacomo Puccini |
PART03421
|
22/10/1955 | |
Passione di Cristo, La
Don Lorenzo Perosi |
PART03135
arrangement/reduction |
||
Trasfigurazione di N.S.G.C., La
Don Lorenzo Perosi |
PART03141
arrangement/reduction |
||
Magnificat
Goffredo Petrassi |
PART03182
arrangement/reduction |
11/1940 | |
Ombra di Don Giovanni L’, Atti I e II
Franco Alfano |
PART00114
full score |