Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sorrentina, La
Emanuele Muzio |
PART02862
full score |
||
Liturgie
A. Neishardt |
PART02881
full score |
||
Arabesque
Charles O'Brien |
PART02943
full score |
9/1/1906 | |
Sonata in E minor, Sonata op.14
Charles O'Brien |
PART02944
full score |
27/7/1910 | |
Ciarlatani, I
Giacomo Panizza |
PART03032
full score |
14/10/1839 | |
Per Massimiliano Robespierre, Rid. per c. e pf. Prima stesura superata
Giacomo Manzoni |
PART02455
arrangement/reduction |
||
Notturno , per orchestra
Ottorino Respighi |
PART03513
full score |
1/1908 | |
Contessa d’Altenberg, La, atti III e IV
Giovanni Gaetano Rossi |
PART03638
arrangement/reduction |
||
Inganno felice, L’
Gioachino Antonio Rossini |
PART03658
full score |
||
Concerto soirée
Nino Rota |
PART03671
full score |