Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Tre canti, per vla e pf, Trascr. dal vc. e riveduti a cura di E. Polo
Ildebrando Pizzetti |
PART03301
parts |
8/1944 | |
Prologo alla “Ninnananna della bambola”, Un
Francesco Balilla Pratella |
PART03408
parts |
||
Ouverture , per orchestra
Gaetano Luporini |
PART02301
parts |
1890 | |
Ausstrahlung
Bruno Maderna |
PART02307
parts |
||
De Profundis , per una voce, vla, gran cassa e pf.
Gian Francesco Malipiero |
PART02363
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03146
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03147
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03148
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03149
parts |
||
Bisbetica domata, La, Notturno per grande orch.
Mario Persico |
PART03176
parts |