Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Figlia dell’arciere, La
Carlo Coccia |
PART01006
full score |
1833 | |
Città nuova, La
Stefano Cristiani |
PART01125
|
1798 | |
Bernabò Visconti
Lucio Campiani |
PART00712
full score and parts |
||
Oreste in Tauride
Vincenzo Federici |
PART01808
full score |
||
Orgoglio avvilito, L'
Valentino Fioravanti |
PART01843
full score |
||
Figlia del fabbro, La
Vincenzo Fioravanti |
PART01845
|
||
Orfana egiziana, L'
Francesco Basili |
PART00194
full score |
||
Unione mal pensata, L'
Francesco Basili |
PART00197
full score |
||
Conviene adattarsi
Francesco Basili |
PART00199
full score |
||
Bianca Sforza
Benedetto Bergonzi |
PART00263
full score |