Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Torna Nanni!…, [parte melodica]
A. Corrado |
PART05013
parts |
||
Chi troppo 'a tira 'a spezza, Canzone
G. Corvino |
PART05014
parts |
||
Giulietta Malaspina, parte melodica
Pasquale Ernesto Fonzo |
PART05284
parts |
||
Chiavino, O
G. Chiarolanza |
PART04945
full score |
1890 | |
Bella Maria, parte melodica
Alberto Giannini |
PART05496
parts |
||
Friccecarella, Polka per pianoforte
Alfonso Saffiotti |
PART06209
full score |
29/4/1874 | |
Uocchie 'e zingara, [parte melodica]
Gaetano Scognamiglio |
PART06298
parts |
||
Amore, Romanza per ms. o b. e pf
Costantino De Crescenzo |
PART01174
full score |
25/3/1889 | |
Danse poetique, pour piano op. 109
Costantino De Crescenzo |
PART01175
full score |
7/10/1892 | |
Desiderio, Romanza per ms. o b. in Re bem. magg.
Costantino De Crescenzo |
PART01176
full score |