Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Au clair de lune, Nocturne pour le piano op. 44
Costantino De Crescenzo |
PART01192
full score |
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Au revoir au printemps, Morceau pour le piano
Costantino De Crescenzo |
PART01193
full score |
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Bacio gentile, Valzer op. 107
Costantino De Crescenzo |
PART01194
full score |
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Chanson du hamac, pour piano op. 45
Costantino De Crescenzo |
PART01195
full score |
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Chanson du hamac, pour violoncelle ou violon op. 52
Costantino De Crescenzo |
PART01196
full score |
17/4/1894 | |
Cherie!, Mazurka pour piano op. 103
Costantino De Crescenzo |
PART01197
full score |
||
Danse du beau pays, pour piano op. 106 (Tarantella)
Costantino De Crescenzo |
PART01198
full score |
||
Pensiero roseo!
Costantino De Crescenzo |
PART01199
full score |
||
Seguito all'inizio del pianoforte, Esercizi giornalieri op. 101
Costantino De Crescenzo |
PART01200
full score |
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Senza te!!, Notturno per pf. op. 108
Costantino De Crescenzo |
PART01201
full score |