Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Variazioni su un tema all’ungherese, op. 34
Alessandro Longo |
PART02253
full score |
||
24 Pezzi caratteristici, op. 40
Alessandro Longo |
PART02257
full score |
||
Polonese, op. 55
Alessandro Longo |
PART02261
full score |
20/2/1911 | |
Romanza e novelletta , op. 57
Alessandro Longo |
PART02265
full score |
20/2/1911 | |
Fantasia , op. 58
Alessandro Longo |
PART02266
full score |
20/2/1911 | |
Lirica , Suite di quattro pezzi, op. 60
Alessandro Longo |
PART02268
full score |
3/4/1911 | |
Tema con variazioni , op. 50
Alessandro Longo |
PART02273
|
12/1/1910 | |
Suite, op. 53
Alessandro Longo |
PART02275
full score |
9/8/1910 | |
Preludio e fuga , op. 54
Alessandro Longo |
PART02276
full score |
20/2/1911 | |
VI Suite romantica, op. 27
Alessandro Longo |
PART02277
full score |