Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Bonjour, Suzon!, Chansonette
Francesco Paolo Tosti |
PART04058
full score |
1893 | |
Chanson de Fortunio
Francesco Paolo Tosti |
PART04067
full score |
2/11/1881 | |
Deux Chansons
Francesco Paolo Tosti |
PART04068
full score |
1898 | |
Adieux à Suzon, Chansonnette (Souvenir de Naples)
Francesco Paolo Tosti |
PART04072
full score |
10/1880 | |
Filles de Cadix, Les, Chanson
Francesco Paolo Tosti |
PART04082
full score |
9/1890 | |
Ninon
Francesco Paolo Tosti |
PART04131
|
1884 | |
Suzon , Melodie
Francesco Paolo Tosti |
PART04213
full score |
9/1892 | |
4 Melodie per canto, Ninon, Visione, Ideale, Chanson de l'adieu
Francesco Paolo Tosti |
PART06443
full score |
5/1/1986 | |
Canzone di Fortunio, in la bem. magg.
Renzo Rossellini |
PART03617
full score |
||
Chanson de Barberine
Mario Pasquale Costa |
PART01057
full score |
15/9/1883 |