Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Matilde o La fidanzata del guerriero
Angelo Mariani |
PART02488
full score |
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Amore
Angelo Mariani |
PART02489
full score |
2/1871 | |
Fosse morta!...
Angelo Mariani |
PART02490
full score |
10/2/1871 | |
Lira, La, per voce di tenore
Angelo Mariani |
PART02491
full score |
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Prece di Fioretta, La
Angelo Mariani |
PART02492
full score |
10/2/1871 | |
Ricordo del Bardo al suo primo amore, Recitativo e romanza per voce di bar. con acc. di pf.
Angelo Mariani |
PART02493
full score |
24/3/1853 | |
Rivelazione, Da: “Il colle di Carignano” n. 6
Angelo Mariani |
PART02494
full score |
8/3/1871 | |
Sconforto
Angelo Mariani |
PART02495
full score |
3/2/1871 | |
Speranza, Una, Da: “Il colle di Carignano” n. 1
Angelo Mariani |
PART02496
full score |
2/1871 | |
Stornello amoroso
Angelo Mariani |
PART02497
full score |
7/2/1871 |