Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Fiancés, Les, Da: Trois morceaux lyriques, op. 52
Antonio Bazzini |
PART00235
full score |
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Abbandono, L' , Da: Trois morceaux lyriques, op. 52
Antonio Bazzini |
PART00236
full score |
||
Impromptu-valse, Da: Trois morceaux lyriques, op. 52
Antonio Bazzini |
PART00237
full score |
||
Proibizione!
Antonio Bazzini |
PART00238
full score |
1870 | |
Pene di Amore, Le, III anacreontica, trad. del cav. A. Maffei musicata per t. o s. in chiave di sol e piano
Antonio Bazzini |
PART00239
full score |
||
Illusioni perdute , Melodia
Antonio Bazzini |
PART00240
full score |
||
Vessillo lombardo, Il, inno popolare
Antonio Bazzini |
PART00241
full score |
||
Nuvola d’oro, melodia per c. in chiave di sol con acc. di pf.
Antonio Bazzini |
PART00242
full score |
||
Due stornelli, in chiave di sol con acc. di pf.
Antonio Bazzini |
PART00243
full score |
||
Prigioniero di Josephstadt, Il
Antonio Bazzini |
PART00244
full score |
7/1868 |