Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sotto i salici, pour violon et piano (op. 53, n. 1)
Antonio Bazzini |
PART00225
full score |
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Pourquoi?, pour violon et piano. Op. 53, n. 2
Antonio Bazzini |
PART00226
full score |
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Mignonne, pour violon et piano, op. 53, n. 3
Antonio Bazzini |
PART00227
full score |
||
Conte de Grand’Mère - Légende pour violon et piano. , Da: 2 Novellettes, op. 54
Antonio Bazzini |
PART00228
full score |
||
Nymphe des bois, La, scherzo pour violon et piano concertants
Antonio Bazzini |
PART00229
full score |
||
Primo Finale della Fantasia sui Masnadieri
Antonio Bazzini |
PART00230
full score |
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Souvenir d’Attila de Verdi, fantaisie brillante pour piano et violon concertants
Antonio Bazzini |
PART00231
full score |
||
Fantaisie dramatique sur l’air final de l’opera “Lucie de Lammermoor”, op. 10, pour violon avec orchestre ou piano (rid. per vl. e pf.)
Antonio Bazzini |
PART00232
full score |
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Traviata, La, Fantasia per vl. con orch., o piano, op. 50
Antonio Bazzini |
PART00233
full score |
||
Allegro dramatique , pour violon avec orchestre ou piano, op.51
Antonio Bazzini |
PART00234
full score |