Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Messa a Rossini
Autori Diversi , Antonio Buzzolla , Antonio Bazzini , Carlo Pedrotti , Antonio Cagnoni , Alessandro Nini , Raimondo Boucheron , Carlo Coccia , Pietro Platania |
PART00155
full score |
1869 | |
Duca di Tapigliano, Il
Antonio Cagnoni |
PART00675
full score |
||
Emiro, L'
Antonio Cagnoni |
PART00676
full score |
||
Giralda
Antonio Cagnoni |
PART00677
full score |
||
Tombola, La
Antonio Cagnoni |
PART00678
full score |
13/2/1868 | |
Valle d’Andora, La
Antonio Cagnoni |
PART00679
full score |
||
Amori e trappole
Antonio Cagnoni |
PART00680
full score |
||
Capriccio di donna, Un
Antonio Cagnoni |
PART00681
full score |
||
Don Bucefalo
Antonio Cagnoni |
PART00682
full score |
||
Fioraja, La
Antonio Cagnoni |
PART00683
full score |